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Works

Open a larger version of the following image in a popup: Margrethe Aanestad, Untitled, 2022
Open a larger version of the following image in a popup: Margrethe Aanestad, Untitled, 2022 Installation view: The Abbot´s House by Utstein Monastery, Mosterøy, Stavanger, Norway, 2022 Curated by Arnhild Sunnanå
Open a larger version of the following image in a popup: Margrethe Aanestad, Untitled, 2022
Open a larger version of the following image in a popup: Margrethe Aanestad, Untitled, 2022 Installation view: The Abbot´s House by Utstein Monastery, Mosterøy, Stavanger, Norway, 2022 Curated by Arnhild Sunnanå
Open a larger version of the following image in a popup: Margrethe Aanestad, Untitled, 2022 Installation view: The Abbot´s House by Utstein Monastery, Mosterøy, Stavanger, Norway, 2022 Curated by Arnhild Sunnanå
Open a larger version of the following image in a popup: Margrethe Aanestad, Untitled, 2022 Installation view: The Abbot´s House by Utstein Monastery, Mosterøy, Stavanger, Norway, 2022 Curated by Arnhild Sunnanå
Open a larger version of the following image in a popup: Margrethe Aanestad, Untitled, 2022 Installation view: The Abbot´s House by Utstein Monastery, Mosterøy, Stavanger, Norway, 2022 Curated by Arnhild Sunnanå
Open a larger version of the following image in a popup: Margrethe Aanestad, Untitled, 2022 Installation view: The Abbot´s House by Utstein Monastery, Mosterøy, Stavanger, Norway, 2022 Curated by Arnhild Sunnanå

Margrethe Aanestad

Untitled, 2022
Acrylic on cotton canvas, framed
36 1/2 x 30 1/2 in
92.5 x 78 cm
MAA0016
Copyright The Artist
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In her work, Margrethe Aanestad aims to carry through a nerve–a personal and visceral presence– that allows the viewer an immediate entry into a space of deep contemplation: steadiness, silence...
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In her work, Margrethe Aanestad aims to carry through a nerve–a personal and visceral presence– that allows the viewer an immediate entry into a space of deep contemplation: steadiness, silence and chaos. “It’s about eliciting a sensation that opens up for presence.” Through a ritualistic and meditative approach, Aanestad creates abstract drawings and paintings with the external expression of an inner attentiveness, plumbing the depths of herself and the shared human condition. Her rigorous and spare compositions vary from large scale pastel drawings to improvisational brush strokes on raw canvases. Often subtly referencing the landscape and celestial sphere, her work remains wholly non-representational, transcending physical realms while inviting perceptual encounters. A circular shape is present in several recent series. These seemingly precise circles in her work are achieved solely by hand. To Aanestad, this fundamentally basic circular motif serves both as an intense study of form and a compelling and universal symbol, suggesting unity, wholeness and infinity.

This work is framed. With no glazing. The canvas is hand stitched on museum board by the artist.
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Expositions

Stille Forvandling / Silent Metamorphosis, July 3 - 31, 2022
Exhibition in The Abbot´s House by Utstein Monastery, Mosterøy, Stavanger, Norway
Curated by Arnhild Sunnanå
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