The Warhol Prophecy was the first study for a series that discusses modern society and the need to document and expose oneself. We are served with a constant display of blatant self promotions on a daily basis, many times there is nothing special to promote or value, like a can full of worms. And in this case, have you been served today?

Cecilia Abeid is a Brazilian artist and designer, currently living and working in New York. While Abeid works with diverse mediums and techniques, including metal etching, lithography and animation, she has been dedicating herself more and more to stoneware sculptures. One of her many intents is to bring elements of magic and delight into everyday objects and situations of the mundane while still projecting a sense of motion and life into solid sculptures. Abeid’s ceramic sculptures explore the newfound perspective towards a material proven to be timeless. Fascinated by the capacity of how such a raw, natural mix of water and minerals can mimic reality so vividly, her intent is to capture a sense of doubt in the visual representation of her ceramic sculptures, while subtly leaving hints of a tiny world with a life and colors of its own. The artist states it is important to play around with how such a solid material (at its final step) can look so malleable and feel so tasty; in a world where eggs not only have faces, but also have personality; where bananas are big and unreal and, to an extent, even sexual. According to the artist, it is all about playing with textures, sizes and the sense that it goes beyond what your eyes can see.