YI GALLERY
Skip to main content
  • Menu
  • Artists
  • Exhibitions
  • Fairs
  • FEATURES
  • Publications
  • Press
  • Info + Contact
Cart
0 items $
Checkout

Item added to cart

View cart & checkout
Continue shopping
Menu

Karian Amaya

  • Biografía
  • Exposiciones
  • Obras
  • Video
  • Press
  • Art Fairs
  • Previous artist Browse artists Next artist
Open a larger version of the following image in a popup: Karian Amaya, Sunset in the Desert II, 2023
Open a larger version of the following image in a popup: Karian Amaya, Sunset in the Desert II, 2023
Open a larger version of the following image in a popup: Karian Amaya, Sunset in the Desert II, 2023
Open a larger version of the following image in a popup: Karian Amaya, Sunset in the Desert II, 2023

Karian Amaya

Sunset in the Desert II, 2023
Copper and marble
12 x 28 1/2 x 2 in
30 x 72 x 5 cm
KA0017
Copyright The Artist
Inquire
%3Cdiv%20class%3D%22artist%22%3EKarian%20Amaya%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3ESunset%20in%20the%20Desert%20II%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E2023%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3ECopper%20and%20marble%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E12%20x%2028%201/2%20x%202%20in%3Cbr/%3E%0A30%20x%2072%20x%205%20cm%3C/div%3E

Further images

  • (View a larger image of thumbnail 1 ) Karian Amaya, Totem, 2022
  • (View a larger image of thumbnail 2 ) Karian Amaya, Totem, 2022
  • (View a larger image of thumbnail 3 ) Karian Amaya, Totem, 2022
  • (View a larger image of thumbnail 4 ) Karian Amaya, Totem, 2022
View on a Wall
Karian Amaya’s practice revolves around the notion of encounter. Through sculpture and photography, Amaya investigates and questions the dialogue and resistance originating from matter, landscape and their social and territorial...
Leer más
Karian Amaya’s practice revolves around the notion of encounter. Through sculpture and photography, Amaya investigates and questions the dialogue and resistance originating from matter, landscape and their social and territorial contexts. Deeply influenced by Land Art and Post-Minimalist movements, Amaya's work is rooted in the formal and narrative encounter of raw, natural, and industrial materials. Originally from Chihuahua, Mexico and daughter of a miner, Amaya’s work reveals a direct reference to the extractivism of natural materials and the fragility of the landscape affected by human activity and the passage of time. Informed by her intimate relationship with the desert landscape and materials mined in Mexico, such as copper and marble, her sculptures become an abstraction of the sunset - a contemplative homage to the organic forms, the silence and fragility of rocks in pressure and the omnipotent landscape of the desert. Amaya’s work reflects on the deterioration of landscape as a consequence of the exploitation of natural resources and the fluency of time manifested in this process.

Karian Amaya (b.1986, Chihuahua, Mexico) currently lives and works in Guadalajara. The artist traces the origin of her deeply personal and quietly political work to her formative years in northern Mexico. At the heart of Amaya's practice, which spans drawing, photography and sculpture, is a profound concern for process and materials, with each series seeking a formal solution. Informed by minimalism, she explores issues related to language and the deterioration of the landscape. Karian Amaya holds a B.A. from the University of Guadalajara and studied mixed media at The Art Students League of New York. Her work has been exhibited in Mexico, the United States and Europe. In 2015, she participated in the New York Foundation for the Arts migrant artist mentoring program. In 2016, she was included in the Border Biennial at El Paso Museum of Art. Amaya has received numerous awards, including Stimuli for artistic creation PECDA (2013-2014), the Alfaro Siqueiros Scholarship (2017), the Grodman Legacy Scholarship, awarded by the UDG Foundation (2018), Proyecta traslados (2019), Contigo a la Distancia FONCA (2020), the HORIZONTES Jalisco Program (2020), State Council for Culture and the Arts CECA (2021-2022) and Stimulus for artistic creation PECDA CHIHUAHUA 2023 in the category of sculpture.
Close full details
Anterior / Anteriores
|
Siguiente
7 
de  21
Instagram, opens in a new tab.
Join the mailing list
Privacy Policy
Accessibility Policy
Manage cookies
Copyright © 2024 YI GALLERY
Site by Artlogic

This website uses cookies
This site uses cookies to help make it more useful to you. Please contact us to find out more about our Cookie Policy.

Manage cookies
Accept

Cookie preferences

Check the boxes for the cookie categories you allow our site to use

Cookie options
Required for the website to function and cannot be disabled.
Improve your experience on the website by storing choices you make about how it should function.
Allow us to collect anonymous usage data in order to improve the experience on our website.
Allow us to identify our visitors so that we can offer personalised, targeted marketing.
Save preferences