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Looking North: Karian Amaya, Margrethe Aanestad, Shane Charles

Past exhibition
2023年3月18日 - 5月27日
Open a larger version of the following image in a popup: Shane Charles, Brothers, Mask I, 2021
Open a larger version of the following image in a popup: Shane Charles, Brothers, Mask I, 2021 Installation view: Looking North, Yi Gallery, New York 2023
Open a larger version of the following image in a popup: Shane Charles, Brothers, Mask I, 2021 Installation view: Gathering, Goethe-Institut Boston, 2021
Open a larger version of the following image in a popup: Shane Charles, Brothers, Mask I, 2021
Open a larger version of the following image in a popup: Shane Charles, Brothers, Mask I, 2021
Open a larger version of the following image in a popup: Shane Charles, Brothers, Mask I, 2021
Open a larger version of the following image in a popup: Shane Charles, Brothers, Mask I, 2021
Open a larger version of the following image in a popup: Shane Charles, Brothers, Mask I, 2021
Open a larger version of the following image in a popup: Shane Charles, Brothers, Mask I, 2021

Shane Charles

Brothers, Mask I, 2021
Bronze with silver nitrate patina
8 1/2 x 5 1/2 x 1 in
21.6 x 14 x 2.5 cm
SCS0003
Copyright The Artist
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%3Cdiv%20class%3D%22artist%22%3EShane%20Charles%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EBrothers%2C%20Mask%20I%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E2021%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EBronze%20with%20silver%20nitrate%20patina%20%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E8%201/2%20x%205%201/2%20x%201%20in%3Cbr/%3E%0A21.6%20x%2014%20x%202.5%20cm%3C/div%3E

Further images

  • (View a larger image of thumbnail 1 ) Margrethe Aanestad, Untitled, 2022
  • (View a larger image of thumbnail 2 ) Margrethe Aanestad, Untitled, 2022
  • (View a larger image of thumbnail 3 ) Margrethe Aanestad, Untitled, 2022
  • (View a larger image of thumbnail 4 ) Margrethe Aanestad, Untitled, 2022
  • (View a larger image of thumbnail 5 ) Margrethe Aanestad, Untitled, 2022
  • (View a larger image of thumbnail 6 ) Margrethe Aanestad, Untitled, 2022
  • (View a larger image of thumbnail 7 ) Margrethe Aanestad, Untitled, 2022
  • (View a larger image of thumbnail 8 ) Margrethe Aanestad, Untitled, 2022
  • (View a larger image of thumbnail 9 ) Margrethe Aanestad, Untitled, 2022
View on a Wall
Reminiscent of death masks, the cast bronze works 'Brothers: Masks I and Mask II' are both based on a face-impression by the artist, and further, the conversation of passing. Incorporating...
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Reminiscent of death masks, the cast bronze works "Brothers: Masks I and Mask II" are both based on a face-impression by the artist, and further, the conversation of passing.

Incorporating pieces commissioned from Maine-based craftsmen, and using Roma Plastilina - an oil-based clay that helps retain the creases of Charles' skin and fingerprints through the casting process - Charles created a face print of himself. He worked with Green Foundry in Eliot, Maine. The foundry maintains environmentally conscious practices, including a boil-out method of wax removal and the constant reclamation of mold materials.

Charles is a direct descendent of the Penobscot Nation and is also of (colonial) British ancestry. His grandfather was a mapmaker and his father was the Penobscot tribal surveyor. From this lineage, Charles’ narrative, which includes generational fracture and psycho-geography, is one of place and remembrance.
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