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Installation view: Looking North, Yi Gallery, New York, 2023
![Margrethe Aanestad, Untitled, 2023](https://artlogic-res.cloudinary.com/w_1800,h_1320,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/yigallery/images/view/7ecf084401046e2f9ecef546276290b7j/yigallery-margrethe-aanestad-untitled-2023.jpg)
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Installation view: Looking North, Yi Gallery, New York, 2023
![Margrethe Aanestad, Untitled, 2023](https://artlogic-res.cloudinary.com/w_1800,h_1320,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/yigallery/images/view/35c0dd08705d7305f55eb0426b139fa3j/yigallery-margrethe-aanestad-untitled-2023.jpg)
Margrethe Aanestad
Untitled, 2023
Acrylic on cotton canvas, framed
52 x 39 1/2 x 2 in
132.1 x 100.3 x 5.1 cm
132.1 x 100.3 x 5.1 cm
MAA0007
Copyright The Artist
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In her work, Margrethe Aanestad aims to carry through a nerve–a personal and visceral presence– that allows the viewer an immediate entry into a space of deep contemplation: steadiness, silence...
In her work, Margrethe Aanestad aims to carry through a nerve–a personal and visceral presence– that allows the viewer an immediate entry into a space of deep contemplation: steadiness, silence and chaos. “It’s about eliciting a sensation that opens up for presence.” Through a ritualistic and meditative approach, Aanestad creates abstract drawings and paintings with the external expression of an inner attentiveness, plumbing the depths of herself and the shared human condition. Her rigorous and spare compositions vary from large scale pastel drawings to improvisational brush strokes on raw canvases. Often subtly referencing the landscape and celestial sphere, her work remains wholly non-representational, transcending physical realms while inviting perceptual encounters. A circular shape is present in several recent series. These seemingly precise circles in her work are achieved solely by hand. To Aanestad, this fundamentally basic circular motif serves both as an intense study of form and a compelling and universal symbol, suggesting unity, wholeness and infinity.
This work is framed, clear poly on splined white oak. With no glazing. The canvas is hand stitched on museum board by the artist.
This work is framed, clear poly on splined white oak. With no glazing. The canvas is hand stitched on museum board by the artist.